2013-2024, Imerys material, variable size
I deliberately do not model the systems to avoid awareness – as much as possible, that is. I randomly, automatically bind and suspend, and then the material is applied, which also shapes the composition due to various interactions, tension, and gravity. So far, I have used porcelain and Imerys mass. After experimenting with materials, the latter proved to be suitable for this method. Following this, I experimented with the initial structure to incorporate some directed elements, as I was curious about how the seemingly irregular, organic system would interact with different focal points.
Detail from The red line exhibition, 2024, Venice, Italy
Magnification, 2016, 40x40x40 cm, Imerys
Spatial continuity
2013, 45 x 38 x 50 cm, Imerys material
Spatial continuity